Praised for her “expressive and captivating performance” (GRAMMY.com), bassist Kathryn Schulmeister brings radiant energy to her creative musical practice ranging from classical to experimental. With a fearless curiosity for collaborative environments, Kathryn’s enthusiasm for seeking opportunities to integrate improvisation, movement and theatre into her creative practice have led her to thrive as an active performer in festivals and venues around the world.  

Kathryn is a member of several contemporary music ensembles including the renowned Australian ELISION Ensemble, Fonema Consort (NYC), and the Echoi Ensemble (LA). She has performed as a guest artist with various adventurous international ensembles such as Klangforum Wien, Ensemble MusikFabrik, Delirium Musicum, Ensemble Dal Niente, and Ensemble Vertixe Sonora.

Equally passionate and experienced as an orchestral musician, Kathryn served as a core member of the Hawaii Symphony Orchestra for three consecutive seasons from 2014-2017 and has performed with the Ojai Festival Orchestra, Phoenix Symphony, New West Symphony, California Chamber Orchestra, Lucerne Festival Alumni Orchestra, Pacific Lyric Opera, Maui Chamber Orchestra, and Hawaii Opera Theater.

 Kathryn received her Doctor of Musical Arts degree in Contemporary Music Performance from the University of California San Diego, Master of Music degree from McGill University, and Bachelor of Music degree from the New England Conservatory of Music.

In Fall 2023, Kathryn joined the faculty of the University of the Pacific Conservatory of Music as Assistant Professor of Practice in String Bass.

 
Double bassist Kathryn Schulmeister gave a stunning account of two pieces by Catalonian composer Joan Arnau Pàmies...turning an ostensibly ungainly instrument into a writhing white-hot crucible
— Simon Cummings, 5:4 Blog
...Schulmeister performed a transfixing modern Italian piece incorporating microtonal notes and elements of the blues that began with an original composition of her own. As she slid, glided and scraped up and down her bass’ neck, she moved the crowd with her expressive and captivating performance.
— NATE HERTWECK, GRAMMY.COM